Graveyard Kits Website Launches today!

I’m proud to announce that today marks the launch day of the Graveyard Kits website. Over the

Blu Ray releases May 1st, 2012

Notable releases this week include Haywire (I’m checking it out today), New Year’s Eve,

The Raven – Review

James McTeigue directs John Cusack in this suspense thriller based on the final days of Edgar Allan

 
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Graveyard Kits Website Launches today!

May 1, 2012 in News & Stuff

I’m proud to announce that today marks the launch day of the Graveyard Kits website. Over the last few months I have partnered up with long time friends Jason Russell and Matt Ficner in an effort to bring our creations out from our caves, and show them to the world…. or at least to anyone who wants to see them…. As the countdown to Comiccon gets closer, we will be posting more and more images of the kits and statues we will have for sale.

Let us know what you like and what you want to see. We know there’s always room for improvement.

Head over to the site at graveyardkits.com
and be sure to visit and “Like” us on our Facebook page.

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Blu Ray releases May 1st, 2012

May 1, 2012 in Blu Ray

Notable releases this week include Haywire (I’m checking it out today), New Year’s Eve, and finally MIB II makes it onto Blu Ray. There’s also a ton of multi packs being released this week including the Tim Burton Collection. Seeing as I don’t have many of his films at all, grabbing the whole lot for $44.99 (Amazon.ca) is a steal. You get Beetlejuice, Batman, Batman Returns, Mars Attacks, Pee Wees Big Adventure, Charlie and the Chocolate Factory, and The Corpse Bride. That’s less than $7 per film.

Head over to Blu-ray.com for a full list of titles, descriptions and reviews.

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The Raven – Review

April 30, 2012 in Movie Reviews, Thriller

James McTeigue directs John Cusack in this suspense thriller based on the final days of Edgar Allan Poe. McTeigue’s last films included the action gorefest Ninja Assassin and the controversial Alan Moore adaptation V for Vendetta. The Raven is a slow burn, heavy in character and story… almost too much so. Yeah, I fell asleep… twice, missing about ten minutes of the film. Thanks to a friend who’s job it is to keep me from nodding off (at least that’s what he thinks), I didn’t miss much. As the pace ramped up though, I enjoyed The Raven a lot more in its third act when the story really began to unfold.

When a mother and daughter are found brutally murdered in 19th century Baltimore, Detective Emmett Fields (Luke Evans) makes a startling discovery: the crime resembles a fictional murder described in gory detail in the local newspaper, part of a collection of stories penned by struggling writer and social pariah Edgar Allan Poe. But even as Poe is questioned by police, another grisly murder occurs, also inspired by a popular Poe story. Realizing a serial killer is on the loose using Poe’s writings as the backdrop for his bloody rampage, Fields enlists the author’s help in stopping the attacks. But when it appears someone close to Poe may become the murderer’s next victim, the stakes become even higher and the inventor of the detective story calls on his own powers of deduction to try to solve the case before it’s too late.

It’s hard not to draw comparisons to the Sherlock Holmes films when watching The Raven, but make no mistake it’s not Sherlock Holmes, not in any way. It’s dark and brooding, and lacks the pacing of the Guy Ritchie films. Poe has always been associated with the macabre and gothic, definitely not action oriented fare, and definitely not laced with subtle comedic elements. Unfortunately to me, The Raven feels like it’s dragging its heels in the first two acts, being heavy on atmosphere and exposition, It is a murder mystery after all. There are some great scenes though, including an incredibly gory death based on The Pit and the Pendulum. So much so, it actually caught me off guard. I guess what it comes down to is personal taste. Some will bask in its dark almost Burtonesque tone, while others might walk away disappointed with its meandering pace.

When it comes to the story, the writers do an exceptional job blending fact with fiction in an attempt to give Poe’s death meaning. Cusack’s performance as Poe is great for what it is, although I think he might have been a little miscast. He still has a lot of that boyish innocence and charm which doesn’t quite suit the character. Cusack does what he can with the role and on some levels it works, I just didn’t completely buy into it like I did Downey Jr’s charismatic Holmes. Aside from that small issue, which some may completely disagree, The Raven is very well cast, including some awesome support players like Luke Evans, Alice Eve, and Brendan Gleeson. The period is also very well represented giving the characters a great playground to exist in, although it did seem sparsely populated when compared to Ritchie’s London in Sherlock Holmes. In the end though, there’s a lot to like about The Raven if you know what you’re getting into.

As I said earlier, at its core, The Raven is a murder mystery. It casts Poe into an investigative role as he helps the police solve the crimes based on his stories. As with most murder mysteries, the pacing is slow as each piece to the puzzle is carefully revealed, allowing the viewer time to put it all together. Don’t get me wrong, The Raven is a well made film, and some may find it more enjoyable than others. For me though, I can only recommend it to fans of this genre. I probably would have enjoyed it a lot more in the comfort of my living room.
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Safe – Review

April 30, 2012 in Action, Martial Arts, Movie Reviews

We’ve all seen the trailers for Statham’s new action vehicle, and have pretty much summed it up before it’s release. You either like his flics…. or you don’t. I unfortunately, for the most part don’t. I personally find the majority of his films are simply over the top, silly as shit actioneers, but every once in awhile he does something worth watching.

Director Boaz Yakin (Remember the Titans) brings us Safe, a film that has Statham taking down an entire city of corruption. From a direction standpoint, Yakin gets it right most of the time, following the action and handling tight fight scenes with ease. Unfortunately, Yakin looses potential emotional content as the relationship between Statham and the little girl is overshadowed by the flying fists, stripping the story of any real depth.

Mei, a young girl whose memory holds a priceless numerical code, finds herself pursued by the Triads, the Russian mob, and corrupt NYC cops. Coming to her aid is an ex-cage fighter whose life was destroyed by the gangsters on Mei’s trail. They will stop at nothing to regain custody of the child or worst case scenario, kill her to prevent the codes from getting out.

Performances are only slightly better than most Statham films, where Statham is the best you can expect in the cast. That being said, the acting is serviceable and will get you to the end without too much complaint. Catherine Chan does an exemplary job as Mei, considering this is her introductory role. Actually, the stronger performances in the film come from the key Asian cast with Reggie Lee and James Hong leading the pack. I can’t help but to think of Big Trouble in Little China lines every time I see James Hong get angry on screen… kinda makes me smile. The weakest links overall come from the American cast with some bad dialogue and simple logic issues (I don’t want to ruin it for ya), but that’s probably on the writer… oh, I forgot, the director is the writer. Fortunately, nothing is glaring enough to hurt the pace and jeopardize the action. True Statham fans won’t even catch it. Oh, and the last fight of the film is actually one of the most original and unexpected end fights I’ve seen in a long time… a total breath of fresh air, and I totally loved it!

One of the other problems with the film lies in the opening exposition. The film, in my opinion takes too long to set up the characters. Some would say it was necessary, but most of it felt like padding to me and could have been broken up and revealed along the way, putting more emphasis on the bond between Statham and the little girl. It takes a good half hour to get to the action sequences. Once there, you’re on the ride, but getting there can be a little bit of a chore.

Bottom line, I liked Safe. It’s probably one of Statham’s best films since the original Transporter. If you like your popcorn action films, Safe will fit the bill. It’s got some great fight sequences, but suffers from predictable plot lines and a slow start. There’s nothing really new here, but its fun nonetheless!
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A Lonely Place To Die – Review

April 30, 2012 in Action, Movie Reviews, Thriller

I didn’t know what to expect when I sat down to watch A Lonely Place To Die, as I had heard very little about it. To my surprise though, it’s a solid action thriller that will keep you on the edge of your seat from beginning to end. Julian Gilby (Rise of the Footsoldier) does a fantastic job directing this beautifully shot thrill ride. The cinematographer Ali Asad, who also collaborated with Gilby on his two previous films, is also responsible for shooting one of my fav underdogs for 2009, Doghouse (cheezy Brit horror at its best).

A group of five mountaineers are hiking and climbing in the Scottish Highlands where they discover a young Serbian girl buried in a small chamber in the wilderness. Unaware that they are being watched, the group splits up to more effectively cover the distance to get help. With the little girl in tow, three head down the longer, safer path to the village, while the other two take the mountain face for a quicker route. It’s not long until they all become caught up in a terrifying game of cat and mouse with the psychotic kidnappers, who’ll stop at nothing to prevent the loss of their payday.

A Lonely Place To Die starts off with a very tense rock climbing scene. Hell, throw anyone on a rope and hang them from a cliff… instant tension. Not being a fan of heights, the whole rock climbing thing already puts me in a state of unrest. The cinematography is amazing, you can really feel the danger. From the dizzying rock faces to the dense forests and open plains, there’s some beautiful scenery in the Scottish highlands. I was particularly taken with the wild parade shots in a small village which contrast with the quiet wilderness of the mountains, dominating three quarters of the film, and upping the tension a few degrees in the film’s climax.

Performances are pretty solid across the board considering I haven’t heard of most of the actors. Melissa George does a great job carrying the film in the leading role, and Sean Harris is equally impressive as one of the kidnappers. Unfortunately, the villains of the story fall into typical roles as the cold hearted, kill anything/do anything to get the job done type characters. It doesn’t necessarily hurt the film, it just releases a small heir of predictability. We’ve seen these villains in countless action/ thriller flics that have come before. The redeeming quality again though, is the performances. Even the young Serbian girl (Holly Boyd) does an incredible job, considering she has virtually no lines. Everything is conveyed through her facial expressions and body language. I’m always blown away by strong child performances.

A Lonely Place To Die should be at the top of your must see list. Unfortunately its one of those films that never reaches its full potential audience and therefor, like so many great films before it, gets lost among so many other unworthy straight to DVD titles. It may not be a solid 10 star flic, but A Lonely Place To Die is a very well made film with a strong cast, excellent script, and solid pacing that will hold your attention to the very end. I absolutely love films like this that pop out from nowhere, and surprise the hell out of me! For me, this is an easy buy on Blu Ray, but for those who don’t buy, it’s easily worth checking out one way or another. I highly recommend A Lonely Place To Die!
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One For The Money – Review

April 26, 2012 in Action, Comedy, Movie Reviews

Directed by Julie Anne Robinson whose credits mostly consist of television, One for the Money is a typical “girl power” chic flic. Based on the very popular Stephanie Plum novels (18+ in print) by Janet Evanovich, the film puts Katherine Heigl in the leading role. One for the Money is a competently directed, cookie cutter, action comedy that is well paced but technically flawed. If Katherine Heigl wasn’t so damn hot, I probably wouldn’t have made it through in one sitting. Face it, she’s the only reason guys are gonna sit through this… as its the kind of film that paints the male of our species as abusive morons.

Unemployed and newly-divorced Stephanie Plum lands a job at her cousin’s bail-bond business, where her first assignment puts her on the trail of a wanted local cop from her romantic past. Things go from bad to worse as she learns there are consequences to her actions. Assisted by a bounty hunter by the name of Ranger, Stephanie continues her investigation bringing her face to face with some unsavory and dangerous characters.

OK, I like Katherine Heigl movies (hangs head in shame). She’s easy on the eyes, she can act, and most of her films are moderately entertaining… and she’s got one of the sexiest smiles in showbiz. James O’Mara (Terrra Nova) has a very charming, middle aged Mel Gibson look and feel to him, and he gives a good performance. There’s also great chemistry between the two. Although the romantic part of their relationship is fairly brief in the scope of the film, what time they do have on screen works… and that’s half the sale for a film like this.

One for the money has that 80s action comedy charm to it. Kinda like Beverly Hills Cop, but not quite as good. Having never read the novels (and I probably never will) I have no actual basis for comparison, so my thoughts are based solely on the movie. Everything in this film feels relatively familiar. There’s nothing new here, and it’s very predictable. One for the Money is a very safe, but under rated film for this genre. It hits all the marks and doesn’t really do anything wrong (although I hated the opening credit sequence), but it just doesn’t bring anything new to the table.

During its theatrical run, One for the Money was panned by critics, being compared to the Aniston/Butler disaster The Bounty Hunter. The two films are nothing alike. Instead of focusing on the comedic relationship crap through the entire movie, One for the Money tries to take itself seriously for the most part. Does she get the guy in the end…. of course she does, but the film knows you know, and doesn’t waste the whole movie on the romantic dribble that it could have easily gotten away with. Be warned though, guys for the most part are going to have a hard time liking this film, after all, it is what it is… a chic flic made by chics! But honestly, I’ve spent a lot more time on far worse films this year. So, if your girlfriend wants to watch it, this is definitely one of the easier ones to get through…. take one for the team!
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The Big Year – Review

April 25, 2012 in Comedy, Drama, Movie Reviews

David Frankel (The Devil Wears Prada) directs this touching lighthearted adventure film about three men at different stages of life competing and connecting over a common love for birds. Frankel is an accomplished director in films of this ilke. They’re not really considered comedies. They’re more about relationships without the slapstick. Any comedy in the film is realistic and natural, which to me is the best kind of comedy and what most of us in the real world can relate to.

In birding, a Big Year is seeing or hearing as many different species of birds as possible in a calendar year. Three men pursue the Birder of the Year title: Kenny Bostick, who’s seen a record 732 in a past big year, Stu Preissler, newly retired, and Brad Harris, who narrates the story. Life gets in the way: Bostick’s wife wants a baby, Stu’s firm needs him for sensitive negotiations, and Brad, divorced and underemployed at 36, has an encouraging mom and a disapproving dad. They criss-cross the U.S. (including a trip to Alaska’s westernmost island), follow migration patterns, and head for storms that force birds to ground. Who will win, at what cost, and with what rewards?

The Big Year to me, is a big win. It’s not a 10 or even a 9, but it’s one of those films that just feels good. It’s about people. It’s about hardship. It’s about life. The incredible cast flows… and what an ensemble. Not being a huge fan of Jack Black, I missed this in its theatrical run. I feel he is way too often type cast, and its only in roles like this that we truly get to see his natural talent. Steve Martin and Owen Wilson are great. I’m particularly a big fan of Martin’s more serious work. The cast doesn’t stop there though. The supporting cast includes Rosamund Pike, Kevin Pollak, JoBeth Williams, Dianne Wiest, Brian Dennehy, Jim Parsons, Angelica Houston, and Rashida Jones (whom I’m liking more and more). A whole lotta like!

I think the relationship between Black and Dennehy (son and father) hit me the hardest. It’s one a lot of people from my generation can relate to, especially those pursuing dreams and hobbies that don’t really stack up to anything in older generational thinking. It’s probably the most powerful part of the film to me, and one I’ll always be able to relate to. Dennehy has such a commanding presence and plays the father role perfectly. It was hard not to get choked up in the end when he finally embraces his son’s passion.

Awesome performances, great cinematography, good writing, and a fresh topic. The Big Year is an excellent film to sit back and relax to. A very comfortable, heart warming hour and a half that will have you smiling in the end. Definitely a very underrated film of 2011. At the very least, rent or Netflix The Big Year, because even at a 7.5, I still highly recommend it.
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Humans Versus Zombies – Review

April 25, 2012 in Comedy, Horror, Movie Reviews

Brian T. Jaynes directs this ridiculously bad zombie flic made on little to no budget. The use of the word directs is loose at best as Humans vs Zombies feels like it was made up on the fly. It’s films like this that make Asylum pictures look like award winning material… not really, but you know what I mean. This is independent (real independent) film making at its worst. The only thing I can really credit Jaynes for here, is actually finishing the film, something that no matter how bad it is, I feel deserves a small pat on the back.

Dark Comedy and Horror unite in this satirical thriller based on the “Live Action Role-Playing” game of the same name. Students on summer break are exposed to a deadly virus that is spread rapidly through direct human contact. The infected become enslaved by the invading “swarm” intelligence and driven by an insatiable appetite to consume human flesh. Returning home, the students spread the infection to their fellow classmates and other unsuspecting townspeople. One by one, more students fall victim to the plague,triggering an epidemic that spawns a horde of ravenous zombies. The zombie horde grows and spreads quickly. Amidst the chaos, a campus security guard,obsessed with conspiracy theories, leads a group of students to safety as they and a small band of uninfected townspeople set out to find other human survivors in an attempt to discover the source of the “zombie” virus and save the world.

First off, I can’t stress how simple it is to make a passable zombie flic, especially when you have the extras count that this one had. Filling the horde is half the battle. Unfortunately the writer, also the director tries to be clever, and in doing so destroys any chance he had of making a passable flic. It ain’t rocket science! Humans vs Zombies tries way too hard to implement a very badly written script. Trying to make sense of the outbreak is just an unnecessary step… leave that for the pros. A dozen great films before this one didn’t need to explain it, neither do you.

Performances, well lets just say too much character development and dialogue can really stain the finished product if no one can act. Yes, the acting is that terrible, bottom of the barrel awful. The director spends way too much time building the Humans vs Zombies student game, patting himself on the back with major doses of zombie nerdism. Actually, Humans vs Zombies feels like it pulls a lot from an old 80s flic called Gotcha (which I liked)…. but executed poorly. So…. the opening scene is a double suicide after a containment leak of a zombie serum somewhere out on a rig off the coast line. The scene is low budget, but nothing worse than I’ve been exposed to before, so I continued. The next scene has a bikini clad girl playfully running away from her boyfriend into the water. Moments later, out of nowhere, a zombified tech (I can assume from the rig) makes his way to the girl. He takes a huge chunk out of her shoulder. The boyfriend fights him off and takes his girlfriend home. A little later in the film, we see the girl lying in bed zombied up sleeping. The boyfriend walks in, looks at the wound and says “We should really go to the hospital”…. really…. REALLY! I think that would have been my first stop on the way home from the beach, considering she would have passed out from loss of blood. She of course attacks him and they become the perfect zombie couple.

Then there’s another scene where the director has the group planning strategies for the oncoming horde, right down to using gaming terms, agro, range, etc. It’s pretty awesomely stupid. Probably one of those scenes that sounded really good on paper, or in his head… not! And what was with the costumes when they get all pimped out… WTF!? Oh, and the kicker…. the nasty stuff the priest and security guard got sprayed with when they were in Iraq…. it made them immune to the virus. This film feels like it was made by a group of friends that should have kept it between friends.

I could seriously go on and on about how bad this film is, but it would probably take longer to write than watching the movie again…”shudder”… I have to give it one star though, and that’s for completion. No matter how bad a film is, if you can finish it and put it out there, you deserve at least one star! Unfortunately, Humans vs Zombies isn’t worth buying, renting, or even downloading. The only people who will enjoy it are the ones who worked on it… which there was a surprisingly large amount.
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Zombie Apocalypse – Review

April 24, 2012 in Horror, Movie Reviews

Asylum has let loose upon the world yet another of their “z” grade flics. Nick Lyon picks up the director chores in Asylum’s Zombie Apocalypse. Over the last few years there have been bucket loads of zombie films and really, most of them crap. Lyon does a fair job at moving the story, which at times is probably it’s only redeeming quality. Any form of story is loosely held together by the many zombie battles that our heroes encounter. Lyon seems to stutter on complicated action scenes, which cause the film to stumble, but it’s something we’re used to in this genre.

Months after a zombie plague has wiped out 90 percent of the world population, a small group of survivors fight their way through the suburbs in search of safety. They are joined by other pockets of survivors all of whom have a plan… get to the docks where a ferry visits to bring survivors to the island of Catalina, the last known refuge.

One of the best things about Zombie Apocalypse is its pacing, something that separates it from the other low budget drek out there. There is barely 5 minutes between attacks. This of course does not make it a good film, but it does make it more digestible. Everything about this film is typical of Asylum pictures, but keeping the fight running at a brisk pace gives the audience little time to analyze the depths of stupidity they’re watching. It’s a shame though, for once I actually felt a better movie was within Asylum’s reach. A better script (the dialogue was awful at points) could have gone a long way. A few “zombie” lessons could have helped the masses (they had a lot of extras). Unfortunately, more than half the zombies were terrible. Some would move like they were mimicking gorillas, others like the mummy, and then there’s the one that looked like it was from a bad Ozzy Osbourne video. The camera also lingered a little too long on some of the mask wearing extras… you could see rubber flaps and cut out eyes. Little things that could have, no, should have been avoided.

Performance wise, I couldn’t help but be impressed. Eddie Steeples (My Name is Earl) did a very good job, even though his partner, and the female lead of the film Taryn Manning, was terrible. Timing on her dialogue was always off and her character was just badly written, definitely the weakest link. Just about every other character in our band of survivors was well played, bad dialogue aside (they worked with what they had). Asylum definitely stepped up in the talent department for this one.

The end sequence, although a cool idea, like so many other attack scenes, is poorly executed. Bad timing between the CG and the actors really hurt the finale (typical of all Asylum pictures). There are so many instances where you feel there is just too much time spent during an attack scene, which strips the moments of any real threat, feeling more like an awkward dance. By the time the character is actually bitten, you just don’t care. Most of the gore shots are cookie cutter CG, in some instances barely passable. Fortunately, the pacing doesn’t give you time to really soak it in.

I would recommend Zombie Apocalypse to any zombie film fanatic. It’s far from a great film, but its quick pacing and fairly good cast keep me from giving it less than a pass. I would go so far as to say this is a step up from the regular SyFy crap we’re used to.
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Blu Ray releases April 24th, 2012

April 24, 2012 in Blu Ray

This week’s notable releases include Mark Wahlberg’s Contraband, which I really enjoyed. Also the new Chow Yun Fat film Let the Bullets Fly looks awesome, and finally the release of the Shogun Assassin collection. Unfortunately the Shogun Assassin Collection ONLY features the dubbed re-releases which in my opinion are sorely inferior. If you can’t stand subtitles, then this will be for you, but if like me, you’re a purest, hold out for the Baby Cart series. You can almost certainly expect it once this one dies down. On a side note, the standalone film Shogun Assassin (which combines the first 2 Baby Cart films) is definitely worth picking up dubbed… just to have it (it was my first introduction to Lone Wolf and Cub)!

Head over to Blu-ray.com for a full list of titles, descriptions and reviews.